April 05, 2001
2:50 AM
Oh, and I think I might as well say screw the experiment.
Viva la experimental failures. They give us knowledge too, you know.
I think the plan for next time shall involve regular attention over a
longer period of time.
2:38 AM
The new Bonnie 'Prince' Billy album is... aggressively pleasant.
If I say that will you get what I mean? Maybe not. I mean it in a
good way. I haven't played anything else in the 5 hours since I got
home tonight. There is still quite a bit of residual darkness -
forboding music, lyrics about having killed men, etc., but for the
most part there's an even more relaxed feeling to the music than
in the past (if you can believe that), and even on the "tenser"
songs things seem pretty low-key.
The synthesizers... what to say about the synthesizers. Ripped
straight from the 70s and, to be frank, they sound completely
out of place. You may recall how some people find the robo-drum
on Arise, Therefore off-putting. That's nothing. It has
some aesthetic purposefulness, I think. This is just like... suddenly
being in an AOR song for anywhere from half a second to an entire
solo break, and it's not entirely pleasant being there. But soon
this has passed and Will is singing about sticking his finger up
his rich happy wife's ass. Like I said. Aggressively pleasant.
2:35 AM
From something I scribbled between math problems the other day:
Listening to Tom Waits' original version of "Downtown Train". Never
really noticed the lyrics in the first verse before, about the Brooklyn
girls trying to break away or whatever. Once the chorus kicks in
all that stuff is irrelevant. Maybe Waits knew that and was just
hurrying things along...
2:34 AM
But doesn't the English-language version go "You/You hate/You hate me to say" etc.?
April 04, 2001
3:17 PM
This is not going well at all. I must confess: I have been cheating
on my project. In several ways. On my stereo, and on my headphones walking
about town. John Coltrane, Morphine, Dismemberment Plan and Juno, Outkast,
the new Matmos, and soon the new Bonnie 'Prince' Billy.
Perhaps this is not the best way to go about this sort of undertaking.
April 02, 2001
4:56 PM
Sole listening most of the day: Rachmaninov's third piano concerto,
perf. Vladimir Ashkenazy and the LSO with Andre Previn conducting.
Oh god please give me a beat or some distortion or something. There's
this part in the allegro that's really huge, this big, loping Russian-sounding
bit, and it's fucking fantastic. But it lasts like less than a minute.
Then it's back to, uh, not that. Lots of floaty things. This week is
already making me very aware of just how much I need any kind of beat
or rhythm at all. In classical music, the rhythm is all smoothed out,
and most importantly, far, far far far far far far (I cannot emphasize
this enough) less percussive.
This is less noticeable when I am not listening to classical music for
a week, though of course I've already made note of it in the past, because
I get to switch back and forth. I have moments that feel appropriate to
me for classical music, so now I am experiencing a large amount of
inappropriateness.
Jesus, one fucking beat, please.
And no, "Rite of Spring" is not enough.
April 01, 2001
5:45 AM
Hmmm. If I'm going to insist on listening to "Musical Offering" a whole
bunch this week, thus negating the listen-more-to-unfamiliar-music
purpose of this experiment, I'm going to have to make it harder on
myself. So, one way: listen to the bass line or slow line or low
line (usually the one I pay less attention to on this because the
flutes and violins and such are jumping around and placed a lot
more prominently in the arrangement) over the other parts.
1:32 AM
Remember yesterday how I said I was cheating? Well I may just have to
allow for Dismemberment Plan-related cheating during this entire project.
(The Juno tunes on the EP are excellent reasons to cheat, too.)
1:23 AM
I'll try, Dan,
but I can't promise much. I don't like vocal music, so I don't own much -
off the top of my head, I think all I've got is: the Missa Solemnis,
a Vespers and a Mass by Rachmaninov, Mahler's fourth and eighth
symphonies, Beethoven's ninth, Anonymous 4 doing Hildegard von Bingen's
chants for the Feast of 11000 Virgins, Debussy's Pelleas et Mellisande,
and some Brahms settings of love songs from some era or another.
I am finding, though, with the Rachmaninov religious music, that
I much prefer choral music to opera, and to basically any other form
that involves individuals sticking out (like Mahler's eighth). I find
it quite moving. Solo voices, though, fucking piss me off.
I'm still dealing with that. Partly by more deliberately approaching
vocal music in general via choral music and religious music; I hope
soon to pick up the nice Phillips set you can read about in my wishlist,
which has some things I am pretty sure I will like in it, like Tallis'
"Spem in alium...".
to March 2001
kortbein@iastate.edu