From: kortbein@iastate.edu (Josh Kortbein) Newsgroups: rec.music.classical Subject: Re: "Serious popular" music (Was: Re: Beethoven of the 20th century) Date: 5 Jan 2000 18:45:01 GMT Matt Friedman ("mwf"@total.net(remove-to-reply)) wrote: : piper wrote: : > Is "post-rock" a type of music or just a description of music written : > past a certain time??? You explain what you're talking about, and we : > can try to discuss it. : I'm not sure, but I think he's referring to the instrumental prog-rock : stuff done by guitar virtuosi like Joe Satriani, Eric Johnson and Yngvie : Malmsteen. "Post-rock" is a not-very-descriptive catch-all label - coined by dance critic Simon Reynolds, maybe? - to describe a bunch of bands whose music mixed outside influences with more traditional rock structures, or who wrote music with rock instrumentation, but with an eye toward different forms, etc. The 70s "krautrock" bands are a major influence on lots of the post-rock bands: Faust, Can, Neu!, Kraftwerk. Post-rock tends not to rock, really, and depending on the sources of inspiration can sound very different. Some popular post-rock bands include Tortoise, Stereolab, and Mogwai. Tortoise have a rock ensemble, but with two bassists, vibes, and electronics, and their music draws a lot from dub, Ennio Morricone film music -style fusion, and a certain kind of experimental (not very though) electronic music. Stereolab's music is primarily made up of drones and lounge music, though there's a heavy Brazilian jazz influence. Their vocals [which reminds me, Tortoise have none] are female, usually from two vocalists in some beautiful harmonies, and are usually laconic, sometimes in French rather than English, and often about Marxist political views. Stereolab, at various times, have employed live instrumentation including drums, guitars, bass, and lots of analog synthesizers and keyboards, as well as electronic drums and maybe digital keyboards. Mogwai are a Scottish group interested in creating "serious guitar music," whose songs are often slowly paced, somber pieces until they explode in thunderous noise. Though Mogwai play a bit with field recordings, answering machine messages, and the like, they mostly play "live," or at least as live as other rock -type albums are when recorded. They have standard rock instrumentation, but with more guitars. "Post-rock" definitely does not refer to anything by Satriani, Johnson, or Malmsteen. Though it has the aforementioned antecedents in 70s Krautrock, and some bands near the end of the 80s / beginning of the 90s (Mogwai, for example, are often cited as Slint ripoffs, which they are not, Slint being a postrockish band from around 1991), post-rock is mostly a 90s phenomenon. It's a musical label rather than period label, though, as there's plenty of other music deserving of other labels. Because of the popularity of the label, and its original vagueness, "post-rock" gets over- and wrongly applied, often. Most serious (hah) music listeners will groan when someone says "post-rock." There's a lot better information out there than this - probably even Simon Reynolds' original writings about post-rock. Josh NP: A Tribe Called Quest, _The Low End Theory_ -- josh blog listening log: http://www.public.iastate.edu/~kortbein/blog/